Sunday, 18 April 2010

On The Road



The Greatest Road Book of all time!

I have started this posting with a picture of Jack Kerouac’s book, On The Road. I have read this book many times and still enjoy the excitement and energy that it creates. Kerouac wrote it in a frenzy of writing, on a single scroll of paper and it is his mode of writing that keeps you on the edge of your car seat. Bob Dylan and three friends followed Kerouac’s journey back in the 60s. One of the group had a tambourine and it was on this trip that he wrote “Mr Tambourine Man”. I have no pretentions that our trip is as epic but you do get that feeling of an immense country unfolding in front of you. I just wonder whether the central characters Dean Moriarty and Kerouac got as tired as we have become from just driving. Tim is thinking of writing a song called “Mr Miller Light Man” in recognition of our journey.



Warm up act at the House of Blues

Last night was our final night in Chicago and we were keen to hear some authentic Chicago sound. We had been warned off the “House of Blues” because it was too commercial. All I can say is that the band (sorry but another name that we failed to get) was great and we were pleased to leave the city with the excellent music ringing in our ears.



The House of Blues Band



Chicago night-scape



Last night in Chicago

Tim and I returned to the Institute of Art this morning to look around the modern collection. We walked through the city bathed in bright spring sunshine. Chicagoans are really lucky to have such an extensive collection on their doorstep. I have highlighted 2 personal favourites by Mark Rothko and Jackson Pollock. Tim asked me to put Picasso’s Guitarist (from his Blue period) and Hugh has asked me to highlight the Rembrandt portrait that he saw yesterday.


Intricate ironwork on side of building



Walking beside The Loop in Chicago


Face fountain, Millennium Park



Millenium park sculpture


Mark Rothko (Marcus Rothkowitz)
American, born Russia (Latvia), 1903–1970



Jackson Pollock
American, 1912-1956
The Key, 1946
I love the colour in this picture


Pablo Picasso
Spanish, worked in France, 1881–1973
The Old Guitarist, late 1903–early 1904


Rembrandt Harmensz. van Rijn
Dutch, 1606–1669

We wanted to visit one last gravesite our way out of the city. Chester Burnett, more often known as Howlin’ Wolf learnt his Blues directly from Charley Patton and other Delta Bluesmen. Sam Philips, at Sun Records described him as one of is greatest finds. He eventually moved from Memphis to Chicago, recording for Chess Records. A critic at the time wrote “no one could match [Howlin' Wolf] for the singular ability to rock the house down to the foundation while simultaneously scaring its patrons out of its wits” I have heard him described as a prominent harmonica player, a proficient guitarist and an immense stage presence. We eventually found the cemetery but there was no one to help guide us to his grave. It was like looking for a needle in the proverbial haystack. I asked at a very lavish funeral home across the road. The lady was very nice but didn’t have a clue who this Howlin’ Wolf was. She did offer to tell me how to find Al Capone’s however. I did find it very sad that everyone knows where Elvis is buried but someone working across the road and directly involved with the graveyard, didn’t know the name of one of Chicago’s greatest Blues Legends. I have copied in a picture of the grave from the internet.



Oak Ridge Cemetery. Chester Burnett is buried here somewhere!


The great Howlin' Wolf


The grave that we were unable to find: "Howlin' Wolf" aka Chester Burnett


We are now following our trail on to Duluth, and Dylan’s birthplace. The flat fertile Wisconsin farmland is beginning to change with increasing numbers of coniferous trees and more wetlands. We are staying in a motel half way in the small town of Tomah. I am exhausted and must go to bed. I have swapped the blues for the sound of 2 guys snoring heavily. Good Night.


Tomorrow's quest. Bob Dylan, Duluth days


The House of Blues, Chicago

Saturday, 17 April 2010

Maxwell Street first stop




Maxwell Street, Early 20th Century



American Gothic by Grant Wood (1930). Iconic American painting


“You have got to go to Buddy Guy’s Legends Blues Club when you get to Chicago” This is what everyone told us on our journey. It appears that Buddy Guy’s is the equivalent of BB Kings in Memphis. We are getting used to Blues Clubs by now and Buddy Guy’s was not a lot different. It had the usual collection of signed guitars and photographs but it was great to be there. I suppose that in many ways it was the end of the first part of our journey. We had followed the black musicians out of the delta on the great migration and into Chicago. Buddy Guy is one of the great exponents of the Electric Chicago Sound with the urbanisation and electrification of the country delta blues. He has been a role model for some of the greatest rock musicians such as Jimi Hendrix, Jimmy Page, Stevie Ray Vaughan, Eric Clapton and many more. He was born in Louisiana and came under the spell of the great Muddy Waters when he moved to Chicago. One of the first Blues albums that I bought was by Buddy Guy.

The club’s programme runs every night until 2.00pm and it attracts many of the great names in Blues. Top of last night’s bill was the famous Sonny Rhodes with Sharon Lewis and the Texas Heat as a supporting act.

Sharon Lewis and her band were buzzing. Sharon had a great voice and stage presence. The combination of an excellent drummer and bass player produced an electrifying rhythm section. Take a look at the video (They stop all attempts to video the sessions, so this is all I got)

We were disappointed by Sonny Rhodes. Known as the king of the lap steel guitar, he has an international reputation but he did not look very well last night and was very unsteady on his feet. The Blues was sadly monotonous and unexciting. Still, it was a great night.

Special regards to the Teakle family that we met. Simon and Juliet were originally from the UK but now live in Connecticut.



Warming up at Buddy Guy's


Simon and Juliette Teakle with Lulu and Daisy



Blues' alternative to Mount Rushmore


Sharon Lewis and Texas Heat


Great Bass Player (Tony Dale)


The Sonny Rhodes Band


Sonny Rhodes on Lap Steel Guitar

I have always wanted to visit the Chicago Institute of Art, which is known as one of the great collections of the world. The Impressionist, Post Impressionist and American sections are extraordinary. It’s a very impressive collection of Monet’s paintings, probably one the best that I have seen. The pre -900 European section is good but limited. I walked around the collection but felt that I need to come back here with Jacqui in order to examine it in greater detail. I was particularly taken by a wonderful portrait by Goya, a portrait of his elder sister by Gainsborough, a portrait of St Peter by Ribera and a sculpture of Balzac by Rodin.

The gallery has a special exhibition of work by Matisse between 1913 and 1917. This was an important and critical time in the development of his style and methods of working. Well worth visiting.

We walked around the Millennium gardens next to the Institute. This was typical of the fine attention pain in Chicago to architecture and civic design. This is a great city.




Francisco José de Goya y Lucientes
Spanish, 1746-1828


Gainsborough, Thomas
British, 1727-1788



Paul Gauguin
French, 1848-1903


Gustave Caillebotte
French, 1848-1894



Auguste Rodin
French, 1840-1917
Portrait of Balzac, modeled 1893
(cast 1926/33)



Matisse, Henri. Bathers with a Turtle. 1908.
The Saint Louis Art Museum, St. Louis.


Henri Matisse, Bather, 1909.
Museum Modern Art New York


Henri Matisse, Reclining Nude


Jay Pritzker Pavilion, Millenium Park.

Millenium Park, Chicago



Millenium Park, Chicago (Spitting Image)


The Start of another Road Trip. Who is for Route 66?

I walked 3-4 miles this afternoon to visit Maxwell Street. I just wanted to see this important street, which was for many musicians (moving to Chicago), their first experience of the city. Maxwell St is close to Illinois Central rail station and is mentioned often in the lyrics of blues numbers. Many would play their first music, busking for a living in this famous commercial street. It is now part of the University of Illinois Chicago University and appears totally soulless.




Maxwell St, Chicago



Maxwell Street has lost it's Soul!

The first part of our journey is over. We leave for Northern Minnesota tomorrow to follow in the trail of his “Bobness”, Bob Dylan. Why are we doing this, when we have exciting Chicago at our feet? I am a Dylan fan but he also puts the last piece in the puzzle. Take yourself forwards to 1965 in the Newport Blues and Jazz Festival. Dylan astounded all present by coming on stage with an electric band. Nothing was ever the same after and I believe that this was the final link in what made the rock music that we know today.




Bob Dylan, Newport 1965. The moment that changed popular music


Texas Heat (Bass Player Tony Dale)


This one's for Milly from Opa

Friday, 16 April 2010

The Great Migration



The Windy City



The Chicago Sound!



The Late, Great Muddy Waters



The "Great Migration" from the South


Hugh can’t understand the economics of buying 3 pairs of boots for the price of one. Has the last great symbol of American manhood fallen to global economics? Are cowboy boots now made in China? Can you imagine? Chinese Cowboys! Yes the Chinese are getting into Line Dancing and listening to the Grand Ole Opry.

Tim said “ that’s why we bought some light tan polish for re-Beijing our boots so that we would find it easier to be Yanking them on again”

Discussion this morning on the road to Chicago was about the economy. Isn’t it strange that despite all those miles of separation from events in the UK, election fever has spread across the Atlantic? Tim wants to run the country, Hugh wants to sort out the bankers but I just want to listen to good blues.

Reading the news today, it appears that our biggest potential headache may be caused by that cloud of Ash from the Iceland volcano hanging over the UK and threatening our return next week. If the flights are cancelled and the blues is good in Chicago, then perhaps there is no problem.

Flat farmland, large trucks, and big skies wiz past us as we pursue our goal. We have now driven 1300 miles. You can spend a day travelling, living on or at the side of the highway and its like being hermetical sealed from the rest of America. In the last 2 days we have covered half the miles between New Orleans and Chicago. Back to the flatlands the countless farms and gain silos!

Some of our blog groupies wonder whether we are getting on. Can 3 guys stay friends on a trip driving across the US and not fall out.

Travelling across the US has been a lot easier than we expected. The Prius has been very economical and we have become experts at searching out accommodation and negotiating the best price. We take a double room and take one of the mattresses off the bed. One of us sleeps on the sprung base, one on the mattress and we take it in turns to sleep on the bed. Accommodation costs us £50-60 a night, which works out at £20 per person. You can imagine the mess the next day and what the maid must think of our nigh time romps. 3 guys sharing!

Travelling takes it out of you and we are looking forward to getting to Chicago and chilling out for a few days. I can see that we are tired because the guitars haven’t been out of their cases for a few days.



Chicago Gothic. Gotham City?


We are at last in Chicago. This is were all those musician eventual migrated to from the poverty and segregation of the South. The process started soon after the Civil War but accelerated during the 20th Century and by the 2nd World War half a million had made the journey. It is now referred to as the “Great Migration”

This is a great city and will take some time to get our head around it.

Just for a change we heard some Nigerian Highlife Music from our Nigerian Cabbie as he drove us back to our hotel from the Navy Pier.


Chicago Skyline



Bright Lights, Big City

Off to Buddy Guy’s Legends Blues Club tonight!



Driving into Chicago

Thursday, 15 April 2010

Meet me in St Louis




Riverboats on the Mississippi at St Louis

Well I think that at my age, I need to “come out” and admit that I like Country Music. Nashville lives up to its reputation as the Music Capital of the US and it’s the Mecca for anyone who wants to make it as any type of music. Broadway was on fire last night and we heard some great acts.

Broadway, Nashville at night

We listened to a great country band with a versatile female vocalist early in the evening. Sadly we didn’t get back to find their name or buy one of their CDs because we came across on of the treasures of our trip.

The Country Band that we didn't get back to see more of

After a few beers we moved next door to Leila’s Bluegrass Club and we didn’t move on for another 3 hours. The Chris Casello trio played everything including Rock & Roll, Country, Jazz, Rock, Rockabilly and the rest. The boys were blown away with Chris Casello’s guitar virtuosity. At times you couldn’t keep up with his finger movements. Hugh says that he is the best guitarist that he has ever heard, saying “Joe Bonamassa and Alert Lee can lay down their guitars when it comes to this guy”.

To our utter amazement Chris swung effortlessly between music genres. He would play his steel slide guitar at the same time that he was playing his Fender Telecaster. The sound coming out of this 3-piece band, which includes bassist Mark Winchester and drummer Jimmy Lester was electric. The pace of the action was almost impossible to keep up with. Mark Winchester was such a great bass player, his Johnny Cash was as good as the master during their rendition of “Orange Blossom Special” and “I walk the Line” This was what live music is all about. It’s the interaction between musician and audience that makes it impossible to convey the ecstatic performance that we listened to. We saw 3 people playing at 200% performance. This is high-octane fuelled stuff.



The Great Chris Cosello Trio at Leila's Bluegrass Club in Nashville




Chris Cosello playing guitar and pedal steel guitar at the same time

Most of the conversation this morning still revolves around last night’s gig. I advise everyone reading this blog to look him up on http://www.chriscasello.com/ Where do all these excellent musicians come from in Nashville? Is coming to Nashville the same as aspiring actors going to Hollywood in search of that elusive recording contract. For many, doing a weekly slot on Broadway, Nashville is success. This is Music City USA and I love it!


Elvis is alive and well!

The road between Nashville and St Louis initially cuts through scenic woodland and crosses the wide Columbia, Tennessee and Ohio Rivers. These wide rivers flow into the Mississippi River System and acts as a vast highway system for America’s Mid West industries. Gradually, the woodland gives way to flat agricultural land and I expect that this will accompany us all the way to Chicago and the Great Lakes. How did those blues men see it as the streamed out of the Mississippi Delta looking for work and a livelihood? This is the Blues Road and one of America’s Mother Roads.

St Louis sits on the Mississippi just within Missouri. The city built a huge stainless steel arch in 1965 to celebrate Thomas Jefferson’s purchase of vast tracks of land from France in 1803 for 15 million dollars. Probably one of the best real estate deals in history. This doubled the size of the new nation overnight and opened the West up for exploration and settlement. We took the tramcar up to the top of the monument, which gives a great view of the city.


Driving into St Louis

St Louis is was also home to Scott Joplin during a very productive time in his artistic career where he wrote such important compositions as the Entertainer, Ragtime Dance and Easy Winners.


Scott Joplin's House

St Louis has a vibrant Jazz and Blues scene. Blues and Jazzmen called in and some decided to stay on the great migration to Chicago. All the Blues bars are found in one area on South Broadway and we called in at the Oyster Bar to see Alvin Jett and the Phatouise. Good band playing a Jazz/blues fusion with excellent lead guitar and sax.


Alvin Jett and The Phatouise at the Oyster Bar. Good band!


Relaxing at the Oyster Bar

Our stop over in St Louis is sadly short as we head off to follow the likes of Muddy Waters and Howling Wolfe to the big windy city tomorrow.


The Chris Casello trio at Leila's Bluegrass Club


Some virtuoso guitar work from Chris Casello (sorry about the poor video)

More You-Tube videos of Chris Casello:
http://www.youtube.com/watch?v=uTSAQVbSZCE
http://www.youtube.com/watch?v=JiOu5oeNM_Q&feature=related

Driving into St Louis


Playing Scott Joplin on the Pianola at the Museum